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<p>Archival prompts (images, texts, redacted documents)</p>
<p>Collage materials or digital apps (Canva, Figma)</p>
<p>Audio recorders or zine-making tools</p>
<p>Platforms like Padlet, Miro, or Milanote for collaborative work</p>
<p>Large paper, markers, sticky notes for analog mapping</p>
<p>Concept mapping platforms (Coggle, Miro, MURAL)</p>
<p>Structured reflection prompts for surfacing gaps, absences, and silences</p>
<p>Screenshots, memes, or digital ads for analysis</p>
<p>Annotation tools (e.g., Hypothes.is), Jamboard or Notion</p>
<p>Meme generators, simple video editing apps (InShot, Kapwing)</p>
<p>Templates for redesigning institutional forms (syllabi, rubrics)</p>
<p>Poster-making tools (Adobe Express, Canva)</p>
<p>Collaborative writing platforms (Google Docs, Notion)</p>
<p>Story dice, object prompts, zine or scrap materials</p>
<p>Twine (for nonlinear storytelling), index cards, or role cards</p>
<p>Bags of symbolic objects for tactile engagement</p>
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<p>Ahmed, Sara: <em>Living a Feminist Life</em>. Duke University Press, 2017.</p>
<p>Berger, John: <em>Ways of Seeing</em>. Penguin Books, 1972.</p>
<p>Deleuze, Gilles: <em>Cinema 2: The Time-Image</em>. Trans. Hugh Tomlinson and Robert Galeta. University of Minnesota Press, 1989.</p>
<p>Federici, Silvia: <em>Wages Against Housework</em>. Bristol: Power of Women Collective and Falling Wall Press, 1975.</p>
<p>Foucault, Michel: <em>The Archaeology of Knowledge</em>. Trans. A. M. Sheridan Smith. Pantheon, 1972.</p>
<p>Hall, Stuart: “Encoding/Decoding.” In <em>Culture, Media, Language</em>, edited by Stuart Hall, Dorothy Hobson, Andrew Lowe, and Paul Willis, Routledge, 1980, pp. 128–138.</p>
<p>Haraway, Donna: “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” <em>Feminist Studies</em>, vol. 14, no. 3, 1988, pp. 575–599.</p>
<p>Hartman, Saidiya: “Venus in Two Acts.” <em>Small Axe</em>, vol. 12, no. 2, 2008, pp. 1–14.</p>
<p>Le Guin, Ursula K.: <em>The Carrier Bag Theory of Fiction</em>. In <em>Dancing at the Edge of the World</em>. Grove Press, 1989.</p>
<p>Glissant, Édouard: <em>Poetics of Relation</em>. Trans. Betsy Wing. University of Michigan Press, 1997.</p>
<p>Moten, Fred & Harney, Stefano: <em>The Undercommons: Fugitive Planning and Black Study</em>. Minor Compositions, 2013.</p>
<p>Parisi, Luciana & Majaca, Antonia: “The Incomputable and Instrumental Possibility.” <em>e-flux</em>, Journal #87, December 2017.</p>
<p>Schwab, Michael: <em>Transpositions: Aesthetico-Epistemic Operators in Artistic Research</em>. Leuven University Press, 2018.</p>
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