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<p><strong>Audacity</strong>: Tool for composing with sound, supports activities like sonic mapping or emotion-based audio journaling.</p>
<p><strong>Padlet or Miro</strong>: For assembling perceptual collages </p>
<p><strong>Kumu or Tiki-Toki</strong>: Timeline tools for mapping kairotic vs. chronological time</p>
<p><strong>Google Jamboard</strong> with a tactile add-on: Use Jamboard alongside physical material prompts. Learners photograph and upload sketches or stages of a material encounter — useful for tracing process and resistance.</p>
<p><strong>Notion or Are.na</strong>: Tools for documenting material experiments, theoretical reflections, and process insights in layered, nonlinear formats.</p>
<p><strong>Obsidian</strong>: Tool for networked thinking</p>
<p><strong>Mentimeter</strong>: For anonymous polling or reflective check-ins: When did something unexpected emerge? What uncertainty are you sitting with? What felt newly possible today?</p>
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<p>Anzaldúa, Gloria. <em>Borderlands/La Frontera: The New Mestiza</em>. 4th ed. San Francisco: Aunt Lute Books, 2012.</p>
<p>Barrett, Estelle, and Barbara Bolt. <em>Practice as Research: Approaches to Creative Arts Enquiry</em>. I. B. Tauris, 2007.</p>
<p>Berlant, Lauren. <em>Cruel Optimism</em>. Duke University Press, 2011.</p>
<p>Betasamosake Simpson, Leanne. <em>As We Have Always Done: Indigenous Freedom through Radical Resistance</em>. University of Minnesota Press, 2017.</p>
<p>Bruguera, Tania. “Arte Útil.” <a href="https://arte-util.org">https://arte-util.org</a>.</p>
<p>Chimurenga and Pan African Space Station. <a href="https://chimurengachronic.co.za">https://chimurengachronic.co.za</a> / <a href="https://panafricanspacestation.org.za">https://panafricanspacestation.org.za</a>.</p>
<p>Dewey, John. <em>Art as Experience</em>. Minton, Balch & Company, 1934.</p>
<p>Hardt, Michael. “The Power to Be Affected.” <em>International Journal of Politics, Culture, and Society</em> 28, no. 3 (2015): 215–222.</p>
<p>Jolas, Eugene, et al. “Poetry is Vertical.” <em>transition</em> 21 (1932): 148–149.</p>
<p>Kafka, Franz. <em>The Truth about Sancho Panza</em>. London: Martin Secker, 1933.</p>
<p>Kanwar, Amar. Artist publications and writings. <a href="https://amar-kanwar.com">https://amar-kanwar.com</a>.</p>
<p>Klein, Naomi. <em>This Changes Everything: Capitalism Vs. the Climate</em>. United Kingdom: Penguin Books Limited, 2014.</p>
<p>Lefebvre, Henri. <em>Rhythmanalysis: Space, Time and Everyday Life</em>. London: Continuum, 2004.</p>
<p>Mbembe, Achille. <em>Necropolitics</em>. Translated by Steven Corcoran. Duke University Press, 2019.</p>
<p>Minh-ha, Trinh T. <em>When the Moon Waxes Red: Representation, Gender and Cultural Politics</em>. Routledge, 1991.</p>
<p>Negri, Antonio. <em>Kairos, Alma Venus, Multitude</em>. Calmann-Levy, 2001.</p>
<p>Negri, Antonio. “Reflections on the 'Manifesto for an Accelerationist Politics',” 2014.</p>
<p>The Otolith Group. Interviews and texts. <a href="https://theotolithgroup.org">https://theotolithgroup.org</a>.</p>
<p>Panh, Rithy. <em>The Elimination</em>. Translated by John Cullen. Other Press, 2013.</p>
<p>Rancière, Jacques. <em>The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation</em>. Stanford University Press, 1991.</p>
<p>Roy, Arundhati. “The Briefing.” In <em>Listening to Grasshoppers: Field Notes on Democracy</em>, 199–210. New Delhi: Hamish Hamilton, 2009.</p>
<p>Schumpeter, Joseph. <em>Capitalism, Socialism and Democracy</em>. Routledge, 1942.</p>
<p>Stengers, Isabelle, and Stephen Muecke, trans. <em>Another Science is Possible: A Manifesto for Slow Science</em>. Polity Press, 2018.</p>
<p>Straub, Jean-Marie, and Danièle Huillet. <em>Writings</em>. Edited by Sally Shafto. Sequence Press, 2016.</p>
<p>Trouillot, Michel-Rolph. <em>Silencing the Past: Power and the Production of History</em>. Beacon Press, 1995.</p>
<p>Wickham, Chris. “Historical Transitions: A Comparative Approach.” <em>The Medieval History Journal</em> 13, no. 1 (2010): 1–21.</p>
<p>Weizman, Eyal, and Matthew Fuller. <em>Forensic Architecture: Investigative Aesthetics: Conflicts and Commons in the Politics of Truth</em>. Verso, 2021.</p>
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