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<ul>
<ul>
<ul>
<li>Ba, S. M. & Higbee, W. (2012). <em>De-Westernizing Film Studies</em>. Routledge.</li>
<li>Bowser, P., Gaines, J. & Musser, C. (2001). <em>Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era</em>. Indiana University Press.</li>
<li>Boyd, T. (1994, November 6). “Tarantino’s Mantra?,” <em>Chicago Tribune</em>.<a href="https://www.chicagotribune.com/news/ct-xpm-1994-11-06-9411060361-story.html"> https://www.chicagotribune.com/news/ct-xpm-1994-11-06-9411060361-story.html</a></li>
<li>Crenshaw, K. (1991). “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color.” <em>Stanford Law Review</em>, 43(6), 1241–1299.</li>
<li>Diawara, M. (1993). <em>Black American Cinema</em>. Routledge.</li>
<li>Dyer, R. (1997). <em>White</em>. Routledge.</li>
<li>Eshun, K. & Sagar, A. (2007). <em>The Ghosts of Songs: The Film Art of the Black Audio Film Collective</em>. Liverpool University Press.</li>
<li>Field, A., Horak, J-C. & Stewart, J. N. (Eds.) (2015).<em> L.A. Rebellion Creating a New Black Cinema</em>. University of California Press.</li>
<li>Francis, T. (2012). “Spectacle, Stereotypes and Films of the African Diaspora,” In J. Nelmes (Ed.) <em>Introduction to Film Studies</em> (pp. 329–357). Routledge.</li>
<li>Guerrero, E. (1993). <em>Framing Blackness: The African American Image in Film</em>. Temple University Press.</li>
<li>hooks, b. (1992). “The Oppositional Gaze: Black Female Spectators.” In b. hooks. <em>Black Looks: Race and Representation</em> (pp. 115–131). South End Press.</li>
<li>hooks, b. (1996). <em>Real to Reel: Race, Class, and Sex at the Movies</em>. Routledge.</li>
<li>Massood, P. J. (2003) <em>Black City Cinema: African American Urban Experiences in Film</em>. Temple University Press.</li>
<li>Massood, P. J. (2007). T<em>he Spike Lee Reader</em>. Temple University Press.</li>
<li>Mulvey, L. (1975). “Visual Pleasure and Narrative Cinema.” <em>Screen</em>, 16(3), 6–18.</li>
<li>Nwonka, C. & Saha, A. (2021). <em>Black Film British Cinema II</em>. MIT Press.</li>
<li>Ramanathan, G. (2020). <em>Kathleen Collins: The Black Essai Film</em>. Edinburgh University Press.</li>
<li>Smith, V. (1997). <em>Representing Blackness: Issues in Film and Video</em>. Rutgers University Press.</li>
<li>Stewart, J. N. (2005). <em>Migrating to the Movies: Cinema and Black Urban Modernity</em>. University of California Press.</li>
<li>Vaugha, D. (1999). <em>For Documentary: Twelve Essays</em>. University of California Press.</li>
</ul>
</ul>
</ul>
<p dir="ltr"><strong>Further Readings on Felicia and Documentary Representations of Watts</strong></p>
<ul>
<li>Glick, J. (2018). <em>Los Angeles Documentary and the Production of Public History, 1958–1977</em>. University of California Press.</li>
<li>Gordon M. & Field A. N. (2016). “The Other Side of the Tracks: Nontheatrical Film History, Pre- Rebellion Watts, and Felicia.” <em>Cinema Journal</em>, 55(2), 1-24.</li>
<li>Gordon M. & Field A. N. (Eds.) (2019). <em>Screening Race in American Nontheatrical Film</em>. Duke University Press. All films referenced in the book can be watched online: <a href="https://www.dukeupress.edu/Features/Screening-Race">https://www.dukeupress.edu/Features/Screening-Race</a></li>
</ul>
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LusofonaX:
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Diversity in Film & Media
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Diversity in Film & Media